You have worked as a photojournalist for 10 years. What led you to take up portraiture photography? 
I decided to plan my exit from photojournalism when I got pregnant with my first child in 2002. It was really hard to juggle childcare and working 12 hour shifts some days with unexpected news events. I always loved children and knew I could take my skills to capture the unexpected into my portrait work. I loved using a photojournalistic approach to shoot my own children and felt that other parents too would appreciate this style for their children and family portraits. So I started my portrait business part-time in 2004 and left the newspaper in 2005 right after the birth of my 2nd son.

Whether it’s a mother throwing her daughter in the air, a father walking on the beach with his son or a boy playing in the leaves, I love to show the emotion I felt when I clicked the shutter.

I love the challenge that each session presents to create lasting memories for families of their children.

Do you think being a mom of three kids, helps you capture kids in their natural poses?
I think being a mom to 3 boys who are constantly on the go has taught me how to capture them in fun moments. I know the types of pictures I’d like to see of my family so I want to apply the same style for every family who hires me. I also believe my experience as a photojournalist has taught me how to be versatile and understand that each session has its own unique circumstances.

Is portraiture a lot about spontaneity or a meticulously planned affair?
My portrait work is pretty much planned out until I get there and start photographing the children. It’s very hard to plan what you want a 2 year old to do so I let the child lead the session without them knowing it. I tell the parents to go with the flow and not to be stressed.

	Quick6: Your Favourite Shoot: Currently I am still in love with a shoot of my own three boys from last fall. Photographing your own children is the hardest thing to do, so when I achieve this goal it’s so rewarding.  Your Preferred Location: Outdoors! I love fields and beaches as natural backdrops for my photo sessions. Favourite Photographer: Australian Photographer, Barb Uil Most memorable story: I was photographing a beach session with 3 year old twins, their 6 yr old brother and their parents. They were playing along the sand when they stopped and saw a ship pass by. They started shouting out at the ship saying “It’s a pirate ship, a pirate ship.” I stepped back and fired off about 20 frames as they stood there calling out to it. It was what we call a blessing from the photo gods. It was just a perfect moment with a spectacular background. I then had the mom and dad walk out towards the ship in the background as it sailed by. Luckily it was a slow passing ship and the tide was low. So they had some distance to walk out. To this day those are still some of my favourite images.  Current photographers you like: Gina Ferazzi (my sister Photojournalist at LA Times) Zoe Berkovic, a Portrait Photographer in New York and Laura Siebert in Denver for her commercial photography work. Toughest day at work: I am not sure if I really have a tough day at work. There are days where I get wiped out by a fussy newborn or when I have to chase down a two year old. However when I remember those sessions, I love them. I love the challenge that each portrait session offers and I love conquering it by creating lasting memories.

There’s nothing more exciting for an artist than an exhibition showcasing new work, unless that show also features the work of an equally acclaimed and beloved spouse. Such is the story of photographer Jerry Uelsmann and artist Maggie Taylor at their “Just Suppose” exhibition at the University Gallery, University of Florida (UF), Gainesville, Fla.

Although the content of their art has a similar ethereal quality, both have very different approaches. Jerry Uelsmann rose to fame in the ‘60s and ‘70s as a master black-and-white printer creating composite images with multiple enlargers and long hours in the traditional darkroom. In contrast, Maggie Taylor produces her dreamlike colour images by scanning objects into a computer using a flatbed scanner, manipulating the images with Adobe Photoshop, and printing them in a digital workflow using Epson Stylus Pro printers.

“Their work is stunning, well-loved, and appreciated all over the world,” said Amy Vigilante, director of the University Galleries. The show included many prints from each artist in typical exhibition sizes and formats, but it also featured bigger than life 60 x 90-inch Epson prints. “These are unusual new formats for both Maggie and Jerry because of the size, so we’re also showing a whole new way of experiencing some of their images.”

The “Just Suppose” exhibit at UF was a homecoming for the two Gainesville residents. Uelsmann taught at UF from 1960 until his retirement in 1997. He met his future wife when she was a graduate student studying fine art and photography at the university. The synergy sparked an upsurge in their respective creative output, through Uelsmann’s alchemy in the traditional darkroom and Taylor’s fearlessness in working with the latest digital technology.

“Largest Uelsmann Print Ever”

Since Uelsmann’s first show at the Museum of Modern Art in New York 30 years ago, his famed 16 x 20-inch silver gelatin prints have been seen all over the world. When his wife insisted that he “go bigger” for the “Just Suppose” exhibition, he wasn’t completely sure what he’d end up with. Although he has always loved ink on paper from his student days, it was a turning point to imagine one of his original darkroom creations scanned in digitally and transformed into a towering 60 x 90-inch print.

Taylor talked him into using the 64-inch Epson Stylus Pro 11880 to create “the world’s largest Jerry Uelsmann print ever.” For the first time, Uelsmann saw that the quality of Epson ink jet printing could faithfully reproduce his black-and-white darkroom prints via Epson’s new MicroPiezo TFP Print head and AccuPhoto HD screening. "I'm very excited about the scale that can be produced with Epson ink jet prints, and I think the quality is amazing," Uelsmann said.

Imagine a pair of hands resting across an open book in the foreground of a black-and-white image, while a door in the far distance leads to other realms. The surreal image is powerful as a silver gelatin print, one of many that Uelsmann laboriously crafted in the darkroom, where he would sometimes use up to eight enlargers for the right effect. But when the Epson printer allowed him to increase the scale beyond the height of a grown man, his photograph had an even more potent outcome than he could ever have imagined. “It was as if I were looking at my image with new eyes,” he said. “Going this large with this level of quality is virtually impossible in the darkroom.”

Dreaming in Colour Prints

Intermingled with her husband’s “Just Suppose” images, the otherworldly art of Maggie Taylor reflected her own imaginative ventures into digital technology. An artist whose work is equally admired worldwide, Taylor composes in painstaking detail on a flatbed scanner, using Victorian photographs, old toys, leaves, butterflies and other interesting objects to develop her ideas. She only uses a camera to photograph things or people she can’t fit on the scanner surface. “Since I’m alluding to that dream universe, I don’t think the images have to totally make sense,” said Taylor.

Epson’s large-format printers helped Taylor breathe new life into her fantastic colour creations as exhibition prints. “When I use the Epson Stylus Pro 9880, the printer is as much a part of the creative process as the composition of the original digital image itself because I have complete control,” said Taylor. UltraChrome K3 Ink Technology with Vivid Magenta Ink enabled her to achieve an extremely wide color gamut. The Vivid Magenta inks brought out extreme blues and purples, as in “The Patient Gardener,” depicting a woman covered with green leaves and surrounded by electric blue butterflies.

The exhibition created quite a stir, showing two completely different ways to express often similar artistic viewpoints. “It’s stunning to see Taylor’s intriguing colour images and Uelsmann’s famed black-and-white images on large Epson prints,” a viewer commented in the crowded gallery on opening night. Epson’s latest ink jet technology is bringing new life and scale to the images of fine artists like Uelsmann and Taylor, enabling artists to increase their work’s visibility and collectibility.