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A Photographer’s Guide to Photo Printing Technologies
By Fotoflock Editorial   02 March 2009

The Evolution of Photo Printing

Much has evolved in photography printing over the last twenty years. Less than ten years ago, developing negatives at professional photo labs seemed the natural thing to do. Today, developing A3-sized, lab-quality photos at home, in minutes, at a fraction of the cost is the norm.


 

Behind the beautiful prints that today’s consumer photo printers are capable of, lie the history, development and features of different photo printing technologies in these modern photo printers. Learning a little about these will help you better appreciate the incredible engineering behind them, and make you a more discerning buyer.

 

Modern photo printers fall into three major categories: dye sublimation printers, thermal inkjet printers and Micro PiezoTM printers by Epson. Here is a brief explanation of how they work and what you should know about each:

 

Dye Sublimation Photo Printing Technology

Dye sublimation printers are very simple and are highly similar to developing photos the traditional way using film. Unlike the other two ink-based technologies explained later, dye sublimation printers work by printing with a ribbon that has sections of cyan, magenta, yellow and black dye instead. Each colour is transferred onto the paper or film using a print head that heats each colour on the ribbon, causing the colour dyes to vaporise, and deposits them onto the surface of the paper where they return to solid form. This is process is repeated for each colour on the ribbon as the paper moves past the print head four times; and the separate colours combine to form all the gamut of colour hues and tones required.

 

This technology has become popular with the recent proliferation of compact photo printer models that use it. But due to the very slow speed and high price of the print ribbons involved with dye sublimation printing, printers that employ this technology are limited to producing small-sized photos like the common 4x6-inch type, and it is totally impractical and costly for high volume photo printing, or for secondary purposes like printing documents.

 

The two other mainstream home photo printing technologies work by shooting liquid ink onto the printing medium. However, the way they do it is dramatically different.

 

Thermal Inkjet Technology

Although thermal inkjet technology was invented in the late 70s, it was only in the late 90s that it started becoming popular for home photo printing. The technology works by electrifying microscopic resistors in tiny ink chambers behind the print head’s nozzles to rapidly create an intense heat that, for a nanosecond, is close to a million degrees centigrade – hotter than the surface of the sun! This violent and sudden increase in temperature vaporises ink to create a bubble that expands so rapidly, some of the ink literally explodes out of the nozzle onto the paper. When the bubble cools and contracts, the resulting vacuum pulls more ink into the print head from the cartridge.

 

Due to the high degree of wear and tear caused by the extreme heat involved in the printing process, thermal inkjet printer heads tend to have much shorter life-spans compared to those of other photo printing technologies. Hence, many thermal inkjet cartridges come with integrated print heads so that a regular replacement is ensured when the ink depletes and the cartridge, with the print head, is changed. However, the integration of a print head makes thermal inkjet cartridges typically more expensive.

 

pEpson Micro PiezoTM Print Head Technology

In the engineering world, some materials have what is known as a “piezoelectric” property, meaning that they physically bend or change shape when an electric current is passed through them. Since the 1970s, Epson has researched this phenomenon for use in photo printing as an alternative to thermal inkjet technology, culminating in the launch of their first Micro PiezoTM photo printer in 1994 – the world’s first high resolution (720dpi) colour inkjet.  Today, Epson has further refined its proprietary Micro PiezoTM print head technology and remains the only maker of consumer photo printers that employs this advanced technology.

 

In a Micro PiezoTM printer, elements made of piezoelectric materials are constructed into the ink chambers behind the nozzles in a print head. To shoot the ink through the nozzles, an electric current is passed through the piezoelectric elements, causing them to bend and thereby mechanically force the ink out through the nozzles onto the printing medium.

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The volume of ink being shot out of the nozzle can be precisely controlled by varying the electrical charge given to the piezoelectric elements in the ink chambers. This enables ink droplets as small as 1.5 picolitres – or 1.5 times a trillionth of a litre!

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This ability to produce such minute droplets allows Micro PiezoTM technology to produce sharper, higher resolution and grain-free photo prints compared to the other technologies. In addition, Micro PiezoTM printer heads run much cooler than thermal inkjet print heads and thus, can last much longer. This results in more affordable ink cartridges that, unlike many thermal inkjet cartridges, do not need integrated print heads.

 

The lower heat involved in Micro PiezoTM printing also allows printers that employ the technology to use a wider range of inks like UV-curable and solvent-based inks for printing on special uncoated vinyl media like stickers. These inks are too volatile for use in the high heat operation of conventional thermal inkjet printers.

 

Indeed, we have come a long way in the quest to perfect photo printing at home - from the low cost thermal printing of the 80s to the high precision Micro PiezoTM print heads of today.

 

Consumers are presented with the power of affordable home printing that exceeds the print quality of even photo labs through technologies like Micro Piezo printer’s variable ink droplet sizes that enable super high print resolutions, and an amazingly wide colour gamut of millions of colours with the use of multiple colour inks; on top of their ever-increasing print speeds.

  Dye Sublimation Thermal inkjet Micro PiezoTM
Print speed Poor Good Good
Reliability Fair Good Good
Cartridge cost Very high Moderate to High Low
Price per print Very high Mid range to High Low to Mid range
Resolution Moderate High Very high
Print head durability Moderate Poor Good


 

 

 

 

 

 

The Future of Photo Printing

Indeed, much has evolved over twenty years. Now, if a time traveller from twenty years in the future appears and tells us that by then, we would be able to print A1-sized 3-D images or textured replicas of famous art pieces within a second from our Micro PiezoTM home printers, would you believe him? Considering the progress we have achieved in home photo printing in the last two decades, we should not be surprised at this notion.

 
Basic printing techniques
By Fotoflock Editorial   12 January 2009
printingKnow the words
In image processing, there are overlapping terms that tend to get interchanged. Especially for image and print resolution: dpi (dots per inch), ppi (pixel or points per inch), lpi (lines per inch). In addition to this, the resolution of an image is stated by its dimensions in pixels or in inches (at a certain ppi or dpi resolution). Yes, we can understand if your head is swimming. Let’s understand this:

When an image is captured using either a camera or a scanner, the result is a digital image consisting of rows – known as arrays – of different picture elements that are called pixels. This array has a horizontal and vertical dimension. The horizontal size of the array is defined by the number of pixels in one single row (say 1,280) and the number of rows (say 1,024), giving the image a horizontal orientation. That picture would have a “resolution” of “1,024 x 1,280 pixels”.  

The size of the image displayed is dependent o the number of pixels the monitor displays per inch. The “pixel per inch” resolutions (ppi) of monitors vary, and are usually in the range of 72 ppi to 120 ppi (the latter, lager 21.4” monitors). In most cases, however, with monitors the resolution is given as the number of pixels horizontally and vertically (e.g.1,0240 x 1,280 or 1,280 x 1,600). So the “size” of an image very much depends on how many pixels are displayed per inch. Thus, we come to a resolution given in ‘pixels per inch’ or ppi for short.

With LCD monitors, their ppi resolution is fixed and can’t be adjusted (at least not without a loss of display quality). With CRT monitors you have more flexibility (we won’t go into this further0.

When an image is printed, its physical size depends upon how many image pixels we put down on paper, but also how an individual image pixel is laid down on the paper.

How image pixels are reproduced by printer dots
There are only a few printing technologies where a printer can directly produce a continuous color range within an individual image pixel printed. Most other types of printers reproduce the color of a pixel in an image by approximating the color by an n x n matrix of fine dots using a specific pattern and a certain combination of the basic colors available to the printer.

If we want to reproduce a pixel of an image on paper, we not only have to place a physical printer’s ‘dot’ on paper, but also have to give that ‘dot’ the tonal value of the original pixel. With bitonal images, that is easy. If the pixel value is o, you lay down a black printed dot, and if the pixel is 1, you omit the dot. However, if the pixel has gray value (say 128 out of 256), and you print with a black-and-white laser printer (just to make the explanation a bit simpler), we must find different way. This technique is called rasterization or dithering.

To simulate different tonal values (let’s just stick to black-and-white for the moment), a number of printed dots are placed in a certain pattern on the paper to reproduce a single pixel of the image. In a low-resolution solution, we could use matrix of 3 printed dots by 3 printed dots per pixel.

Using more printed dots per image pixel allows for more different tonal values. With a pattern of 6 x 6 dots, you get 37 tonal grades, (which is sufficient). For a better differentiation let’s call the matrix of printer dots representing a pixel of the image a raster cell.

Now we see why a printer’s “dot per inch” (dpi) resolution has to be much higher than the resolution has to be much higher than the resolution of a display (where a single dot on a screen may be used to reproduce a single pixel in an images, as the individual screen dot (also called a pixel) may have different tonal (or brightness) values.

When you print with a device using relatively low resolution for grayscale or colored images, you must make a trade-off between a high resolution image (having as many “raster cells per inch” as possible) and larger raster cells providing greater tonal value per cell.

The image impression may be improved when the printer is able to vary the size of its dots. This is done on some laser printers, as well as with some of today’s photo inkjet printers. If the dot size can be varied (also called modulated), fewer numbers of dots (n x n) are needed to create a certain number of different tonal values, (which results in a finer raster). You may achieve more tonal values from a fixed raster cell size.

There are several different ways (patterns) to place single printed dots in a raster cell, and the pattern for this dithering is partly a secret of the printer driver. The dithering dot pattern is less visible and more photo-like, when the pattern is not the same for all raster cells having the same tonal values, but is modified from raster cell to raster cell in some random way.

 
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